The Sublime Object: Nature, Art and Language
The sublime as concept and cultural practice has played a central role in western understanding, engaging aesthetic, spiritual and ethical values ranging from the mid seventeenth-century translations of Longinus, to Burkean and Kantian sublimes of the proto-Romantic and Romantic periods, via nineteenth-century concerns with science and theology to recent theoretical writing. However, there is still much to be investigated in the spaces between art, language and nature. As well as landscape art, this three-year AHRC funded research project encompasses philosophy, literature, music, film, theology and science, and the complex interactions between these different spheres.
Drawing together a wide range of individuals under the umbrella of Tate’s Collection, the aim of this project is to debate and collaborate on a series of interrelated events and research activities focused on the role of the sublime in our perceptions of the natural world. In particular, the project will focus on four areas which relate to Tate’s remit in historic, modern and contemporary art: the landscape sublime; the sublime in crisis; an Anglo-American sublime; and an ecological sublime. Those involved in the investigation will include established scholars from a broad range of disciplines, including curators, artists, post-graduate students, and museum professionals. In order to engage Tate‘s audience closely in the exploration of the sublime, the project will encompass displays, a ‘Tate Sublime’ website, and a diverse range of educational activities, directed towards school children, students and the adult community.
Through investigation, the project aims to achieve a greater understanding of the ways in which perceptions of the sublime in the external landscape are shaped by cultural experiences – through art, literature, and ideas communicated through history, philosophy, poetry, politics and religion. It is not the objective of the project to impose the concept of the sublime upon its audience, but to discover through collaboration, whether the sublime remains a legitimate and potent concept in the contemporary world.
The project started in June 2007 and continues until May 2010.
Conferences
14–15 September 2009
The Sublime in Crisis? New Perspectives on the Sublime in British Visual Culture 1760–1900
Conference schedule (PDF, 26kb) | Poster (PDF, 300Kb) | Further details
30 November 2009
‘Wrong from the Start’: Modernism and the Sublime
Conference schedule (PDF, 18kb) |
Poster (PDF, 244Kb)
For tickets please contact Tate Ticketing Services on tel 020 7887 8888. Tickets are £15 (£10 concessions)
20 February 2010
‘The Contemporary Sublime, Tate Britain
(poster, schedule and booking arrangements to be posted here in due course)
Project team
- Christine Riding, Tate Britain (Principal Investigator)
- Dr Alison Smith, Tate Britain (Co-Investigator)
- Professor Philip Shaw, University of Leicester (Co-Investigator)
- Dr Peter de Bolla, University of Cambridge (Consultant)
- Dr Lydia Hamlett (Research Assistant)
- Rikke Hansen (PhD student)
- Professor Steven Connor, London Consortium (PhD supervisor)
- David Buckland and Greg Hilty, Cape Farewell (artist consultants)
Supported by the Arts & Humanities Research
Council
July 2009
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