Issue 7 / Summer 2006
Content:
- Editors' Note
- Gabriel Ramin Schor on Black
- Adrian Glew on Kandinsky
- Esther Leslie on Oskar Fischinger
- Vincent Pécoil on symmetry
- John Banville on Mark Rothko
- James Hall on early bondage
- Raymond Baxter on Carl Andre
- Opinions on the Tate Modern Rehang
- Ali Smith on Leonora Carrington
- Nicolas Bourriaud on Pierre Huyghe
- Aleksandra Mir on Pierre Huyghe
- Lavinia Greenlaw on John Constable
- Steven Sherrill on John Constable
- Jeremy Millar on Marcel Duchamp in England
- Kenneth Baker on Howard Hodgkin in conversation
- Pipilotti Rist on Barbara Kruger
- The letters and sketches of James Boswell from Tate Archive
- MicroTate
- Lawrence Norfolk in the Tate Archive
Nicolas Bourriaud on Pierre Huyghe
The French art critic Nicholas Bourriaud examines the ways in which Pierre Huyghe mixes fact and fiction, reversing the real to upset traditional expectations of how art is perceived. His strength lies in his understanding that an image always comes with baggage.
Pierre Huyghe
This is not a time for dreaming 2004
© Courtesy Marian Goodman Gallery, New York/Paris © the artist
Live puppet play and super 16mm film, 24 minutes
Vincent Pécoil on symmetry
The End of Perspective? Vincent Pécoil explores the change in the contemporary desire to disorientate the viewer. Including Olafur Eliasson and Carsten Höller.
John Banville on Mark Rothko
John Banville writes a personal appreciation of Rothko after a visit to Tate Modern's Rothko Room.